Anthony Giddens

Anthony Giddens

Professor, Department of Sociology, London School of Economics (LSE)

Biography

Anthony Giddens is a British sociologist who is known for his theory of structuration and his holistic view of modern societies. He is considered to be one of the most prominent modern contributors in the field of sociology, the author of over 30 books, published in at least 29 languages, issuing on average more than one book every year. In 2007, Giddens was listed as the fifth most-referenced author of books in the humanities.

Three notable stages can be identified in his academic life. The first one involved outlining a new vision of what sociology is, presenting a theoretical and methodological understanding of that field, based on a critical reinterpretation of the classics. His major publications of that era include Capitalism and Modern Social Theory (1971) and New Rules of Sociological Method (1976). In the second stage Giddens developed the theory of structuration, an analysis of agency and structure, in which primacy is granted to neither. His works of that period, such as Central Problems in Social Theory (1979) and The Constitution of Society (1984), brought him international fame on the sociological arena.

The most recent stage concerns modernity, globalization and politics, especially the impact of modernity on social and personal life. This stage is reflected by his critique of postmodernity, and discussions of a new “utopian-realist”[3]third way in politics, visible in the Consequence of Modernity (1990), Modernity and Self-Identity (1991), The Transformation of Intimacy (1992), Beyond Left and Right (1994) and The Third Way: The Renewal of Social Democracy (1998). Giddens’s ambition is both to recast social theory and to re-examine our understanding of the development and trajectory of modernity. Currently, Giddens serves as Emeritus Professor at the London School of Economics.

Giddens was previously a member of the Council for the Future of Europe and The WorldPost Advisory Council.


composed by Arswain
machine learning consultation by Anna Tskhovrebov
commissioned by the Berggruen Institute
premiered at the Bradbury Building
downtown Los Angeles
april 22, 2022

Human perception of what sounds “beautiful” is necessarily biased and exclusive. If we are to truly expand our hearing apparatus, and thus our notion of beauty, we must not only shed preconceived sonic associations but also invite creative participation from beings non-human and non-living. We must also begin to cede creative control away from ourselves and toward such beings by encouraging them to exercise their own standards of beauty and collaborate with each other.

Movement I: Alarm Call
‘Alarm Call’ is a long-form composition and sound collage that juxtaposes, combines, and manipulates alarm calls from various human, non-human, and non-living beings. Evolutionary biologists understand the alarm call to be an altruistic behavior between species, who, by warning others of danger, place themselves by instinct in a broader system of belonging. The piece poses the question: how might we hear better to broaden and enhance our sense of belonging in the universe? Might we behave more altruistically if we better heed the calls of – and call out to – non-human beings?

Using granular synthesis, biofeedback, and algorithmic modulation, I fold the human alarm call – the siren – into non-human alarm calls, generating novel “inter-being” sonic collaborations with increasing sophistication and complexity. 

Movement II: A.I.-Truism
A synthesizer piece co-written with an AI in the style of Vangelis’s Blade Runner score, to pay homage to the space of the Bradbury Building.

Movement III: Alarmism
A machine learning model “learns” A.I.Truism and recreates Alarm Call, generating an original fusion of the two.

Movement IV: A.I. Call
A machine learning model “learns” Alarm Call and recreates A.I.Truism, generating an original fusion of the two.


RAVE (IRCAM 2021) https://github.com/acids-ircam/RAVE