Michael Walzer

Michael Walzer

Professor Emeritus of Social Science, Institute for Advanced Study

Biography

Professor Emeritus of Social Science at Princeton University. As a professor, author, editor, and lecturer, Michael Walzer has addressed a wide variety of topics in political theory and moral philosophy: political obligation, just and unjust war, nationalism and ethnicity, economic justice and the welfare state. His books (among them  Just and Unjust Wars, Spheres of Justice, The Company of Critics, Thick and Thin: Moral Argument at Home and Abroad, On Toleration, and  Politics and Passion) and essays have played a part in the revival of practical, issue-focused ethics and in the development of a pluralist approach to political and moral life. Walzer is a contributing editor for The New Republic and co-editor of  Dissent , now in its 59th year. His articles and interviews appear frequently in the world’s foremost newspapers and journals. He is currently working on a series of lectures and then a book dealing with the successes and failures of “national liberation”–and also on the third volume of The Jewish Political Tradition, a comprehensive collaborative project focused on the history of Jewish political thought. His most recent book is In God’s Shadow: Politics in the Hebrew Bible  (Yale University Press, 2012). Photo by: Jon R. Friedman


composed by Arswain
machine learning consultation by Anna Tskhovrebov
commissioned by the Berggruen Institute
premiered at the Bradbury Building
downtown Los Angeles
april 22, 2022

Human perception of what sounds “beautiful” is necessarily biased and exclusive. If we are to truly expand our hearing apparatus, and thus our notion of beauty, we must not only shed preconceived sonic associations but also invite creative participation from beings non-human and non-living. We must also begin to cede creative control away from ourselves and toward such beings by encouraging them to exercise their own standards of beauty and collaborate with each other.

Movement I: Alarm Call
‘Alarm Call’ is a long-form composition and sound collage that juxtaposes, combines, and manipulates alarm calls from various human, non-human, and non-living beings. Evolutionary biologists understand the alarm call to be an altruistic behavior between species, who, by warning others of danger, place themselves by instinct in a broader system of belonging. The piece poses the question: how might we hear better to broaden and enhance our sense of belonging in the universe? Might we behave more altruistically if we better heed the calls of – and call out to – non-human beings?

Using granular synthesis, biofeedback, and algorithmic modulation, I fold the human alarm call – the siren – into non-human alarm calls, generating novel “inter-being” sonic collaborations with increasing sophistication and complexity. 

Movement II: A.I.-Truism
A synthesizer piece co-written with an AI in the style of Vangelis’s Blade Runner score, to pay homage to the space of the Bradbury Building.

Movement III: Alarmism
A machine learning model “learns” A.I.Truism and recreates Alarm Call, generating an original fusion of the two.

Movement IV: A.I. Call
A machine learning model “learns” Alarm Call and recreates A.I.Truism, generating an original fusion of the two.


RAVE (IRCAM 2021) https://github.com/acids-ircam/RAVE